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November 23, 2007
LOWRIDERS are riding high. For instance, the Petersen Automotive Museum in Los Angeles has just opened an exhibition entitled “La Vida Lowrider: Cruising the City of Angels.” It includes 21 cars, several bicycles, pedal cars, scale models, photographs and other images from the lowrider culture of Los Angeles, according to the New York Times.
This is not the museum’s first exploration of the subject. In 2000, it held a show called “Arte y Estilo: The Lowriding Tradition.”
“We always thought about revisiting the subject,” said Denise M. Sandoval, the guest curator for both shows and an assistant professor of Latino studies at California State University, Northridge. “We wanted to tell a cohesive story. This show is a way to teach kids the early history of L.A.,” or at least the mid-20th-century part of it.
The new show, which runs through June 8, emphasizes the social side of lowriding in Los Angeles. Things have changed in the city since the Petersen’s last lowrider show. The city has a mayor with Hispanic roots, for one thing. Also, the image of lowriding is no longer that of outlaws, and Professor Sandoval’s emphasis in the exhibition is on ethnic, neighborhood and family pride. She said car clubs provided an alternative to criminal gangs, a cause for community spirit and an avenue for family bonding.
Almost forgotten is the rebellion in which lowriding was born. Lowering cars as close to the pavement as possible was a symbol of defiance, as irritating to authorities as drag-racing souped up Model A’s or installing very loud sound systems in Honda Civics.
Posted by Peter C. T. Elsworth 
at 10:51 AM to Shows
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