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October 2009
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It is a neighborhood like many others with shops, offices, grocery stores, churches and modest homes. But what sets this neighborhood apart may not be what you think. Certainly, the tagging indicates a gang presence on the westside. It is difficult to get away from the evidence in many San Antonio areas. But, there is more written on these walls. There is beauty. There is emotion. There is hope. The first mural, "Educacion", was created in 1994 by three people: Juan Ramos, Cruz Ortiz and Manny Castillo. Manny had a vision of the westside that he wanted to share with his neighbors. "He wanted to make the westside like a museum," said Mural Project Coordinator Ruth Buentello. As an artist he must have seen an empty and gray palette. He envisioned the community coming together to create an aesthetic that would express the westside experience. The murals do just that. They address barrio warfare, domestic violence, mental health, faith and history. In fact, Buentello says history is an often recurring theme in many of the murals. She pointed out one in particular. "Lideres de la Comunidad' which pays tribute to community leaders, those who contributed to the westside. That includes founders of the Guadalupe Cultural Arts Center, as well as grandmothers and grandfathers. Buentello said artists often incorporate Aztec themes, legends of the Aztec gods, in their work. This is also in reverence to their rich Hispanic origins.
Once it leaves the hand of the lead artist, the others in the community come together and make it their own when they pick up a paint brush. When done, everyone is invited to the mural blessing. The artist, and everyone who participated in the project, introduce it to the neighborhood. There are prayers, poetry and music. It is an event. And it is clear that the murals have had a positive impact. Because the community embrace the work, it is less likely to be tagged. That is one of the reasons businesses in the area ask to have murals placed on their walls. The Mural Project is a program of the San Anto Cultural Arts. It has three divisions: multi-media, newspaper and the mural project. Each of the programs serves to teach children, youth and the elderly the various arts of expression. That means they try to incorporate everyone, regardless of age, into their projects, and what they teach translates into real skills that are not only marketable, but also better appreciated because of that inclusiveness. Buentello herself is a product of the program. She participated in her first mural when she was 16. Later she produced a video of the process, which, she says, earned her entrance into the prestigious Art Institute of Chicago.
There is a new mural in the works on the westside. The design has been transferred to two walls of a handball court at Escobar Park at 1400 S. Zarzamora. The crew and volunteers have begun to fill in the color, and expect to be finished in December. To find out about the San Anto Cultural Arts Mural Project you can go their website, or give them a call at 210-226-7466. But to really experience the significance of the project you should sign up for a mural tour. The fee is only $10, takes about 1 to 2 hours and you get a comprehensive glimpse into the beauty in the heart of the westside. View the kens5.com Westside Mural slideshow.
6 CommentsLeave a comment |
Beautiful history and tradition captured with so much gift and talent. I grew up in the community and no other part of San Antonio can replace the warm and caring feelings and pride that I carry in my heart when I remember our up-bringing. There is nothing like a Unique Culture that cannot be replaced or duplicated. God Bless.
Michael
interesting article. I've also seen most of these west side murals. They're very colorful, and contain many interesting and informative symbols.
I particularly enjoyed one in which a family was gathered for a meal, and the meal was fish on tortillas. The beverage was Big Red.
I enjoyed this segment. the murals were very interesting, informative, and revealing...also some were very beautiful.
That means they try to incorporate everyone, regardless of age, into their projects, and what they teach translates into real skills that are not only marketable, but also better appreciated because of that inclusiveness.
Not so much! We have contacted them for months to get involved. I hope it was just an oversight and not something as sinister not racial intolerance.
I really enjoyed the slideshow. Nice job!
Murals of this kind remind me of Third World ghetto graffiti with violent overtones.